Agnieszka Klich from Arch Viz Artist explains 7 of the most common mistakes 3D artists make when working on their projects and shares a few tips on how to fix them. (more…) [...]
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12 Tips for a faster Archviz workflow
12 Helpful tips from israeli architect and 3D artist Idan Amrany on how to optimize your archviz workflow for faster and better results. (more…) [...]
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How to create realistic road material
Architect and 3D artist Idan Amrany from Arch Viz Champ breaks up his workflow for creating realistic road material with 3ds Max. (more…) [...]
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Wood cladding mapping in 3ds Max
Another great tutorial by Agnieszka Klich on mapping where you will learn the basis for creating UV's and correctly applying textures to wood cladding elements in 3ds Max. (more…) [...]
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PBR Materials in 3ds Max
Agnieszka Klich from Arch Viz Artist is back again with another great video, this time explaining the main differences between a standard material and a PBR material workflow in 3ds Max. (more…) [...]
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How to create light trails effect
Idan Amrany from Arch Viz Champ explains 2 different methods for creating light trails effects, one using with 3ds Max, and the other, with Photoshop. (more…) [...]
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6 Things to consider if you’re just getting into 3D
Agnieszka Klich talks about 6 things worth considering to save you from hours of pain, specially if you're a beginner or just starting to explore the amazing world of 3D. (more…) [...]
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How to map objects using Spline Mapping
Agnieszka Klich shares a couple of great tips to map objects such as roads or cables using the spline mapping option in the Unwrap UVW modifier in 3ds Max. (more…) [...]
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How to model a realistic wool rug
The team at Pikcells shares today a great video explaining their whole process for modeling, texturing and rendering a realistic wool rug with 3ds Max and Corona Renderer. (more…) [...]
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7 Common archviz mistakes and how to avoid them
Agnieszka Klich shares a few tips on how to avoid 7 of the most common mistakes you can make when you're just getting started into 3D. (more…) [...]
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