Unmesh Dinda from PiXimperfect is back with a great new tutorial on how to remove halos from your cutouts in Photoshop. [...]
Read moreEvermotion ArchViz Training | V-Ray Exterior Lighting
Evermotion has just released the second part of his free training course on Archviz, with a new video about exterior lighting with 3ds Max and V-Ray. (more…) [...]
Read moreRemove People in 15 Seconds with Photoshop!
A super quick "Tips & Tricks" video by Unmesh Dinda on how to remove people from your images with Photoshop in just 15 seconds. (more…) [...]
Read moreEvermotion ArchViz Training | V-Ray Interior Lighting
The guys at Evermotion have recently announced a new series of videos on Archviz, with the first tutorial, about interior lighting, being released today. (more…) [...]
Read morePost-production process for exterior images (Part 2)
Agnieszka Klich shares the second part of her tutorial on post-production, using the same image from the first part for explaining how to adjust colors and contrast with render elements in Photoshop. [...]
Read moreArchviz clichés you need to avoid
A few tips by architect Steven Rubio from Show It Better on what to do and what to avoid when working on your archviz projects. (more…) [...]
Read more10 Material tips you need to know
Mihn Tran, from Architecture Inspirations, presents this video with 10 tips that you can follow when working on materials with SketchUp and V-Ray. (more…) [...]
Read moreThe Slate Material Editor in 3ds Max explained
Agnieszka Klich gives a thorough explanation on how the Slate Material Editor in 3ds Max works, considering the use of Corona Renderer for configuring a new material. (more…) [...]
Read moreTips for Clumping and Grouping
3D Artist Neil Blevins shares 10 tips to avoid monotony when working on compositions with clumps or groups of similar objects. (more…) [...]
Read moreHow to cut out dark hair from a dark background in Photoshop
Another great tutorial by Unmesh Dinda for Photoshop users, with a step-by-step guide on how to cut out subjects when there's no contrast with the background. (more…) [...]
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