Mihn Tran, from Architecture Inspirations, presents this video with 10 tips that you can follow when working on materials with SketchUp and V-Ray. (more…) [...]
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The Slate Material Editor in 3ds Max explained
Agnieszka Klich gives a thorough explanation on how the Slate Material Editor in 3ds Max works, considering the use of Corona Renderer for configuring a new material. (more…) [...]
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Tips for Clumping and Grouping
3D Artist Neil Blevins shares 10 tips to avoid monotony when working on compositions with clumps or groups of similar objects. (more…) [...]
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How to cut out dark hair from a dark background in Photoshop
Another great tutorial by Unmesh Dinda for Photoshop users, with a step-by-step guide on how to cut out subjects when there's no contrast with the background. (more…) [...]
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Removing the seams from your photogrammetry assets
A very useful tutorial from Arrimus 3D to learn how to make your photogrammetry assets blend seamlessly when intersecting with each other. [...]
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How to fix discoloration in Photoshop
In this video tutorial by Unmesh Dinda you will learn how to fix discoloration in product shots and surfaces using advanced blending modes and gradient maps. (more…) [...]
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Modeling an apartment with 3ds Max 2022
Agnieszka Klich from Arch Viz Artist shows how much easier it is to model an apartment, with its walls, doors, windows and ceiling, using the new modeling features of 3ds Max 2022. (more…) [...]
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How to add vegetation in post-production
Nicolai Becker demonstrates how you can use high-resolution photos of vegetation and give an atmospheric feel to your images in post-production. (more…) [...]
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Foreground, Midground and Background
Neil Blevins discusses about the different ways to go about lighting environments from a high level compositional perspective, considering foreground, midground and background, and how it can help you lead the eye of the observer through the frame. (more…) [...]
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Layers of light and dark
Another great video tutorial by Neil Blevins on the use of light and dark layers to lead the eye and give emphasis to certain elements in a composition. (more…) [...]
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