Vjeko from RenderRam shares 5 awesome 3ds Max scripts that will help you save a lot of time when working on your next project. (more…) [...]
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Back To Basics: Introduction To 3ds Max | Part 5
Vjeko from RenderRam shows you how to create materials, apply textures, and set up realistic lighting in 3ds Max using Corona Renderer. (more…) [...]
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Say goodbye to reflection issues in 3D scanning
Discover how Vjeko transforms simple 3D scans into near-perfect 3D models using just a smartphone and a surprising secret—a can of spray. Here's everything you need to know to elevate your 3D scanning game! (more…) [...]
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Known unknown depths of 3ds Max
Learn how to do things like renaming objects, painting with geometry and using Viewport Canvas in 3ds Max with this new tutorial by Vjeko from RenderRam. (more…) [...]
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Back To Basics: Introduction To 3ds Max | Part 4
Vjeko presents part 4 of his introduction to 3ds Max series, and in this new episode you will discover how to model objects using splines. (more…) [...]
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Modeling on curved surfaces in 3ds Max
Learn how to tackle complex shapes on curved surfaces in 3ds Max with this insightful tutorial by Vjekoslav Kiraly from RenderRam. (more…) [...]
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Back To Basics: Introduction To 3ds Max | Part 3
We’re back with the third part of Vjeko Kiraly’s 3ds Max Back to Basics series on RenderRam! This time, you’ll learn how to model a 55" TV from scratch. (more…) [...]
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Back To Basics: Introduction To 3ds Max | Part 2
Vjeko from RenderRam returns with Part 2 of his Introduction to 3ds Max series, diving into the fundamentals of splines and modifiers. (more…) [...]
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Human wear and tear on wooden floors
Vjeko from RenderRam shares a few tips and tricks to create realistic human wear and tear on wooden floors in 3ds Max using F-Storm Renderer. (more…) [...]
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Back To Basics: Introduction To 3ds Max | Part 1
3D artist Vjeko Kiraly from RenderRam has just launched a new series of tutorials designed to get you on the right track for mastering the essentials of 3ds Max. You can check out the first part below. [...]
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